You may as well fear him as he fear you. And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown. Pray tarry with me this night, dear husband, of all nights in the year.
Although Goodman Brown has decided to come into the forest and meet with the devil, he still hides when he sees Goody Cloyse and hears the minister and Deacon Gookin.
He seems more concerned with how his faith appears to other people than with the fact that he has decided to meet with the devil. When Goodman Brown discovers that his father, grandfather, Goody Cloyse, the minister, Deacon Gookin, and Faith are all in league with the devil, Goodman Brown quickly decides that he might as well do the same.
Hawthorne seems to suggest that the danger of basing a society on moral principles and religious faith lies in the fact that members of the society do not arrive at their own moral decisions.
|Young Goodman Brown||And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown. A lone woman is troubled with such dreams and such thoughts that she's afeard of herself sometimes.|
When they copy the beliefs of the people around them, their faith becomes weak and rootless. The Inevitable Loss of Innocence Goodman Brown loses his innocence because of his inherent corruptibility, which suggests that whether the events in the forest were a dream or reality, the loss of his innocence was inevitable.
Goodman Brown is never certain whether the evil events of the night are real, but it does not matter. If they are real, then Goodman Brown has truly seen that everyone around him is corrupt, and he brought this realization upon himself through his excessive curiosity.
The Fear of the Wilderness From the moment he steps into the forest, Goodman Brown voices his fear of the wilderness, seeing the forest as a place where no good is possible.
In this he echoes the dominant point of view of seventeenth-century Puritans, who believed that the wild New World was something to fear and then dominate. He believes that the devil could easily be present in such a place—and he eventually sees the devil himself, just as he had expected.
He considers it a matter of family honor that his forefathers would never have walked in the forest for pleasure, and he is upset when the devil tells him that this was not the case. He himself is ashamed to be seen walking in the forest and hides when Goody Cloyse, the minister, and Deacon Gookin pass.
The forest is characterized as devilish, frightening, and dark, and Goodman Brown is comfortable in it only after he has given in to evil.Video: Young Goodman Brown: Summary, Analysis & Symbolism Nathaniel Hawthorne's 'Young Goodman Brown' is a short story that's rich in meaning.
In this lesson, we'll go over the plot points, themes, characters, and symbols. A summary of Themes in Nathaniel Hawthorne's Young Goodman Brown. Learn exactly what happened in this chapter, scene, or section of Young Goodman Brown and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. seriousness. Cloyed (filled to excess) with Calvinist doctrine by Goody Cloyse, a young man ventures out into the wilderness to raise the Devil in a spirit of “speculation.” He falls asleep while waiting.
Wilderness is the archetypal unconscious.
In what Hawthorne calls “the wilderness of sleep,” Goodman dreams he is . Young Goodman Brown caught hold of a tree for support, being ready to sink down on the ground, faint and overburdened with the heavy sickness of his heart.
He looked up to the sky, doubting whether there really was a heaven above him. A summary of Themes in Nathaniel Hawthorne's Young Goodman Brown. Learn exactly what happened in this chapter, scene, or section of Young Goodman Brown and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans.
Young Goodman Brown came forth at sunset into the street at Salem village; but put his head back, after crossing the threshold, to exchange a parting kiss with his young wife.
And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown.